Written by Cade Verrico, (Syracuse University), Student Correspondent for CET Film Production at FAMU, Spring 2025
First Impressions: Prague and the Power of the Unexpected
I’m Cade Verrico, a film major from the United States, and my semester abroad at CET’s Film Production program in Prague has been nothing short of transformational. Coming from the U.S., Prague was a complete culture shock—from the language and transit system to the centuries-old buildings and quiet confidence of the people. But what surprised me most wasn’t the city. It was the way this program threw me headfirst into the real world of filmmaking.
To be honest, I was scared before coming. Scared of being queer in a country I didn’t know. Scared of being misunderstood or rejected. I remember anxiously wondering if my Czech roommate would hate me once he found out I was gay. But instead, I found the exact opposite. My roommate, David, welcomed me with open arms. One night early in the semester, we stayed up talking about relationships and heartbreak over instant coffee in our dorm kitchen. His openness and empathy floored me. That conversation turned a stranger into a lifelong friend.
CET’s partnership with FAMU (The Film and TV School of the Academy of Performing Arts in Prague) means you’re not just studying abroad—you’re stepping into the heart of a globally respected film institution. The expectations are high, the environment is professional, and the results? Life-changing.
Jumping Into the Deep End
Right from the start, CET FAMU doesn’t ease you in. Within the first few days, we were already absorbing lectures, participating in group-building exercises, and starting the development process for our own films. The program runs on an accelerated schedule, and you quickly realize there’s no room for hesitation.
The European model of instruction is rigorous. Professors expect quality work and push you as if you were already working in the industry. It’s tough love, but that’s exactly what sets CET apart. You may not walk into the program as a seasoned filmmaker, but by the end, you’ll have created something you’re proud of—something real.
Getting Schooled in the Best Way
Our academic path starts with theory and foundational lessons in film language and history. You don’t just learn how to hold a camera—you learn how to speak in cinema. FAMU instructors guide you through the visual grammar of film and constantly challenge you to think deeper about your creative choices.
One class that changed me involved analyzing character motivation in a scene. The professor paused the film and asked, “But what does the silence mean here?” That question lit something in me. No one had ever asked me to think about quiet that way before. It reminded me that film isn’t just about image or sound—it’s about intention.
My mentor was the phenomenal Esteban Alfaro, who leads the 35mm track and provides creative consultation to students across the board. Esteban has this beautiful ability to listen deeply. One day I nervously pitched a scene idea I wasn’t sure about, and he simply said, “Yes, that is the story. Follow that instinct.” That small encouragement meant the world to me. It made me feel like my creative voice mattered.
In addition to Esteban, we also learned from Mary Angiolillo, valerio.mendoza , and many other amazing professors that come from all over the world. Each instructor specializes in a different stage of the process—pre-production, cinematography, directing, editing—and their combined expertise made sure no part of the pipeline was left unexplored. This kind of in-depth mentorship is rare and deeply valuable, especially when paired with practical assignments.
The Pre-Production Puzzle
One of the most demanding and rewarding parts of CET FAMU is the pre-production process. Each group is given a real budget to manage their film’s production. This means everything—from props and locations to actors and permits—needs to be budgeted, scheduled, and approved.
You’re responsible for the business and creative sides of filmmaking, and learning to balance those responsibilities is what turns a student into a director. We went through weeks of script revisions, logistics planning, casting, and meetings with advisors before ever stepping foot on set. And it paid off.
Collaboration Is the Core of Cinema
Filmmaking is never a solo endeavor. My favorite part of this experience was working with my creative group. We were a small but mighty team: two directors (including me), a director of photography, and an editor/assistant camera operator. That blend of roles helped each of us specialize, but we also stayed tightly connected and collaborative at every stage.
Each decision we made—shot lists, location scouting, performance coaching—was filtered through this group dynamic. The support, creative tension, and compromise that emerged made our film stronger than any one of us could’ve made alone.
Beyond my group, I also helped other students on their sets by filling in on smaller but essential roles. CET encourages this kind of involvement because it mirrors the real world of production, where flexibility, teamwork, and learning from different departments make all the difference.
Lights, Camera, Prague
After six weeks of preparation, we finally moved into production. CET gives students access to professional-grade equipment and, most importantly, experienced Czech camera supervisors who guide you through every step. These mentors have years of experience and treat your project with real care and professionalism.
FAMU is legendary for a reason. The tools, instruction, and resources made me feel like I was working in a true studio environment. Shooting in Prague added another level of inspiration. The cobblestone alleys, dimly lit interiors, and sweeping historic exteriors gave every shot atmosphere and weight.
One of my favorite spots in the city became Vyšehrad Fortress and Church. Nestled above the Vltava River, the fortress offers sweeping views and quiet corners for reflection. I’d often sit on a bench by the church early in the morning before class. The smell of damp earth, the whisper of wind through the trees, and the soft chime of bells became a ritual that grounded me. It reminded me that even in the whirlwind of production, it’s important to pause, to breathe, and to be present.
Home Away From Home
One of the most unique aspects of CET is the housing setup. Each international student is paired with a Czech roommate, and the program carefully matches you through a detailed interview process. My roommate, David, is easily one of the best people I’ve ever met.
He didn’t just welcome me—he affirmed me. I remember confessing how nervous I was about being gay in a foreign country, and how I worried that I wouldn’t be accepted. But instead, David shared his own experiences with acceptance and told me, “You are safe here. This is your home too.”
That kind of reassurance didn’t just help me feel comfortable—it made me feel like I belonged. Our bond grew over shared dinners, Spotify playlists, and random deep conversations that lasted until 2 a.m. He made Prague feel like home.
The housing is communal and supportive. Sharing space with other film students from around the world keeps the creative energy going even after class ends. Sure, the program is intense and free time is limited—but when you do have time off, Prague and the Czech countryside are just waiting to be explored.
Two major trips are included as part of the CET program: one to Berlin and one to Český Krumlov. Both are art-centered excursions that also give students time to explore these vibrant cities on their own. The Berlin trip offers insight into the German film and art scene, while Český Krumlov immerses you in the charm and history of a Czech cultural gem. These trips were highlights of the semester and added even more depth to an already rich experience.
Final Thoughts: What CET Gave Me
Studying abroad through CET’s Film Production program at FAMU was more than just another semester—it was a turning point in my life and career. I came in feeling unsure about my abilities and left confident not only in my technical skills, but in my creative voice.
I’ve built lasting friendships, worked with incredibly talented students and mentors, and created a short film I’m proud of. I’ve lived in one of the most beautiful cities in the world, gained practical experience I couldn’t have found anywhere else, and seen firsthand what it takes to make a movie from the ground up.
If you’re passionate about film, ready to work hard, and eager to step into a real filmmaking environment, CET FAMU is waiting for you. Trust me—you won’t be the same person when you leave. And that’s the point.